There are a few legends about why Alfred Hitchcock didn’t make this into a movie:
One is that he was tight-fisted with the authors, Pierre Boileau and Thomas Narcejac, so they took the rights elsewhere; one is that another director beat him to the dotted line by mere hours. The more interesting legend, though, is that after Hitchcock saw how Henri-Georges Clouzot (that “other director”) turned The Fiends into the brilliant, classic thriller film Les Diaboliques…
…he immediately snapped up the rights to this novel by the same authors:
And what movie did it become?
Here’s a hint: this is the Portman Mansion.
You probably don’t recognize it from that angle. Designed by the well-known Arts & Crafts architect Bernard Maybeck, it used to stand on Gough street, at Eddy, just a few blocks north of us. It was torn down in 1959, not too long after it had been recast with a new name for another story, one that in the transition from French novel to American screenplay had been moved from Paris to San Francisco:
That probably wasn’t hard to guess—what other Hitchcock movie do San Franciscans talk about?—but it came as a surprise to me. Until these curious little pulp paperbacks came across the pricing desk, I had no idea Les Diaboliques and Vertigo were based on novels, let alone novels by the same French authors.
I’m also surprised they’re both rare, in most, but especially this version, and out of print in all others. You’d think a publisher would be eager to slap on a cover with “Now the best movie ever made (according to Sight & Sound)!” or “The one that got away from Hitchcock (and made it to Clouzot)!”, no? (Though it seems Bloomsbury and BFI did just that.)
(Photo of the Portman Mansion from UC Berkeley’s Bancroft Library via www.noehill.com)
Curios is a periodic series about an interesting used book; rare or common, expensive or cheap, we hope it’s a book you didn’t know you were looking for.